Category: Explore

Comitato Nazionale per la celebrazione dei 500 anni dalla morte di Leonardo da Vinci

The exhibition is organized by

Museo Galileo

in collaboration with

Accademia Nazionale dei Lincei – Centro Linceo Interdisciplinare “Beniamino Segre”

Biblioteca Nazionale Centrale di Firenze

Commissione per l’Edizione Nazionale dei Manoscritti e dei Disegni di Leonardo da Vinci

Under the patronage of

Comune di Firenze

The exhibition presents to the general public the findings of the FISR research project “Science, history, society in Italy. From Leonardo to Galileo to the ‘houses’ of innovation”, promoted and supported by the Ministry of Education, Universities and Research.

Curated by

Carlo Vecce

Scientific committee

Andrea Bernardoni

Roberto P. Ciardi

Paolo Galluzzi

Domenico Laurenza

Pietro C. Marani

Carlo Vecce

Lending institutions

Firenze, Biblioteca Medicea Laurenziana

Firenze, Biblioteca Nazionale Centrale

Firenze, Biblioteca Riccardiana

Firenze, Giunti Editore

Firenze, Museo Galileo

Napoli, Biblioteca Nazionale

Padova, Università di Padova, Centro per la Storia dell’Università di Padova

General coordination

Museo Galileo: Laura Manetti

Exhibition film

Concept and texts

Carlo Vecce, in collaboration with Giuditta Cirnigliaro

Production

Museo Galileo–Multimedia laboratory: Jacopo Tonini (coordinator), Fabio Corica, Samuel Taddei, Daniela Vespoli

Website

Museo Galileo–Unità web: Iolanda Rolfo (coordinator), Leonardo Curioni, Elena Fani, Roberta Massaini, Maurizio Sanesi

Digital Library

Museo Galileo: Stefano Casati (coordinator), Sabina Bernacchini, Susanna Cimmino, Francesca Fares, Alessandra Lenzi, Silvia Paoli, Adele Pocci

Image research

Giuditta Cirnigliaro

Museo Galileo–Photographic archive: Sabina Bernacchini (coordinator), Susanna Cimmino, Silvia Paoli

Translation of the exhibition texts

Thomas H. Simpson

Exhibition design

Guicciardini & Magni Architetti

Graphic design

RovaiWeber design

Exhibition production

Opera Laboratori Fiorentini–Civita

Installation management

Opera Laboratori Fiorentini–Civita: Piero Castri

Technical coordination

Museo Galileo: Teresa Saviori

Digital systems and projection equipment

Opera Laboratori Fiorentini–Civita: Alessandro Modena

Models and reconstructions

Opera Laboratori Fiorentini–Civita: Laura Stiattesi

Facsimiles

Claudius Schettino

Coordination, communication and promotion

Opera Laboratori Fiorentini–Civita: Mariella Becherini

Press office

Opera Laboratori Fiorentini–Civita: Salvatore La Spina

Transport

Arternativa

Insurance

Generali

Acknowledgements

Filiberto Agostini, Luca Bellingeri, Elisa Bonaiuti, Sara Bonechi, Elisa Di Renzo, Anna Rita Fantoni, Isabella Fiorentini, Giulia Fiorenzoli, Francesca Gallori, Rossella Giovannetti, Monica Grossi, Piero Marchi, Francesco Mercurio, Antonella Miolo, Elena Montali, Angela Pinto, Carla Pinzauti, Stefano Pinzauti, Claudio Salsi, Silvia Scipioni, Giorgio Strano, Adelina Taffuri

We thank Banca Intesa San Paolo whose support made it possible to display the exhibition at the Accademia Nazionale dei Lincei in Rome in Autumn 2019.

Category: Explore

The monumental sundial was built in 2007 as a “mathematical ornament” for the Museo Galileo.
Well known since antiquity, the sundial is a time-measuring instrument made up by a style casting a shadow on a quadrant. Its functioning is based on the observation of the style’s shadow combined with the notion of the Sun as a time-keeper apparently revolving around the immobile Earth in a uniform daily motion.
The Museo Galileo sundial is made up of a large quadrant traced on the pavement and a gnomon which is formed from two large bronze stelae that symbolize the day and the night. The stele for the day, facing south (towards the Arno river), contains a vertical meridian line on which the shadow cast by the tail of a “liziper” –a half-lizard, half-viper imaginary animal– indicates midday for each period of the year. The stele for the night, facing north, contains the representation of the two constellations that allow for finding the Polar Star, that is the Ursa Major and Ursa Minor.
The wind rose placed at the base of the gnomon shows the directions for geographic orientation.
A travertine and brass meridian line is drawn on the pavement, flanked with glass and marble signs of the Zodiac. The meridian line extends for about 15 metres from the museum entrance, where the winter solstice is marked, to the base of the gnomon, where the summer solstice is marked. The travertine curves crossing the meridian line indicate the date. The brass radial lines forming a grid with the two solstitial curves indicate the hours.
The seasons and the four elements are symbolized by the choice of materials: travertine for the earth and autumn; glass for the water and winter; grey stone for the air and spring; bronze for the fire and summer.
After the sunset, the sundial continues to act as an attractive urban element thanks to the lighting underneath the base of the gnomon and the Zodiac signs.

How the Sundial works

The shadow cast by the glass polyhedron atop the large bronze gnomon indicates the date and time. The hours from 9:00 AM to 2:00 PM are marked out by radial brass lines. The date is indicated by the travertine traversal lines which mark the Sun’s diurnal course for various periods of the year – precisely when the Star enters the signs of the Zodiac. The shadow cast by the gnomon changes in length during the course of the days and seasons, and indicates true solar time for the place where it is located, which is a different time than that of our wristwatches, known as mean time. In respect to mean time, true solar time has a periodic variation that can exceed a quarter of an hour.

Moreover, during daylight saving time, the hands of a clock are moved forward one hour. For example, true midday in the month of February would be indicated by the sundial around 12:28 AM while in the month of July it would be indicated around 1:20 PM daylight saving time.

To read the hour and date, you have to identify the hour lines and the calendrical lines closest to the gnomon’s shadow. When the shadow does not fall exactly on a hour line, you can read the half-hours and quarters with close approximation by ideally subdividing the space between two hour lines in two or four parts. The date can also be read by referring to the Zodiac signs and the start of the months marked out along the meridian line.